]> AGO_.95/143 Painting The Battle between the Israelites and the Amalekites 152.5cmx210.5cm height 152.5 cm width 210.5 cm oil; canvas oil canvas Luca Giordano Giordano, Luca Italian; Neapolitan Italy Italy M unknown Art Gallery of Ontario Toronto, Ontario, Canada 95/143 Gift of Joey and Toby Tanenbaum, 1995 Copyright 1998: Art Gallery of Ontario http://www.ago.net/2/repro.htm/ Y Full view HasFormat AGO_.95-143.TIF 19990129 1.2 1998 PARSE-ERROR: OCT: Can't parse string: 'unknown'! AIC_.1910.238 Mummy Goods Mummy Goods Ancient Art European Decorative Arts and Sculpture and Ancient Art Mummy Case of Paankhenamun preferred H: 170.2 cm (67 in.); W.: 43.2 cm (17 in.); D.: 31.7 cm (12-1/2 in.) Cartonnage (gum, linen, and papyrus), gold leaf, pigment The hieroglyphic text above Horus reads:A royal offering of Osiris, presider over the West, the great god, lord of Abydos, Wennofer, ruler of Eternity. Utterance by Horus, the son of Osiris, the great god, lord of the sky; may he give a mortuary offeringof food and viands, oxen and geese, incense, clothing and every good and pure thing for Osiris, the doorkeeper of the estate of Amun, Paankhenamun, deceased, son of Ainka, the doorkeeper of the estate of Amun, deceased, son of Ankhefenkhonsu.Paankhenamunmeans Egyptian Egyptian Africa, North Africa, Egypt North Africa, Egypt Third Intermediate Period, Dynasty 22, c. 945 - 715 B.C. -09450101 -07151231 Europe, Greece, Central Greece and Euboea, Boeotia department, Thebes Egyptian, probably from Thebes.The coffin belonged to a man named Paankhenamun, whose name translates as The Art Institute of Chicago Chicago, IL 1910.238 The Art Institute of Chicago, William M. Willner Fund http://www.artic.edu/aic/rights/main.rights.html Y front view HasFormat AIC_.E22827.TIF N front view. photo of x-ray reproduction AIC_.E15251.TIF N view of top of head reproduction AIC_.E31636.TIF 3-D construction of mummy's head based upon CT data IsBasisFor AIC_.1910.238_QT01.mov Jane Neet 19980428 19990128 1.2 1998 AKAG.1964:16 Painting/Oil Dynamism of a Dog on a Leash 35 3/8 x 43 1/4" oil on canvas Giacomo Balla, Italian, 1871-1958 Balla, Giacomo 1912 1912 1912 Albright-Knox Art Gallery Buffalo, NY, USA 1964:16 Bequest of A. Conger Goodyear and Gift of George F. Goodyear, 1964 http://www.albrightknox.org/ Y Full View HasFormat AKAG.1964.16.tif 19980430 1 1998 Parsed OCT into OCS & OCE--- Parsed CDT into CRC, CDB & CDD--- ASIA.1979.251 Ceramics Tea Leaf Jar H. 12 in. (30.5 cm); D. 9 1/2 in. (24.1 cm) Stoneware painted with overglaze enamels and silver (Kyoto ware) Nonomura Ninsei Nonomura Ninsei Japanese c. 1574-1660/66 Edo period, mid-17th century Japan, Kyoto Prefecture Asia Society New York, New York, USA 1979.251 Asia Society: The Mr. and Mrs. John D. Rockefeller 3rd Collection http://www.asiasociety.org Y Full view: front HasFormat ASIA.1979.251.a.tif N Full view: back HasFormat ASIA.1979.251.b.tif Asia Society. Handbook of the Mr. and Mrs. John D. Rockefeller 3rd Collection. New York: Asia Society, [1981], p. 109. References Meech-Pekarik, Julia. "Notable Japanese Ceramics." Apollo (November 1983), p. 433. References Shimada, Shujiro, ed. Zaigai Nihon no shiho (Japanese Art Treasures Abroad). Tokyo: Mainichi Shinbun, 1981, vol. 9, pl. 76. References 19980430 1 1998 Parsed OCT into OCS & OCE--- CCP_.94:057:038 photograph Harlem Globetrotter Baseball Players, 1949 fine print (supervised) 26.5 x 26.5 cm image Gelatin silver print PV--signature, in pencil (signed fall 1993) (MP) Mickey Pallas Pallas, Mickey United States b.1916 d.1997 Aug 08 M 1949 1949 1949 Mickey Pallas: Photographs 1945-1960; Palm Springs Desert Museum; Jan 7 - Feb 20, 1992 Center for Creative Photography Tucson, Arizona 94:057:038 Mickey Pallas Archive/ Gift of the artist and Pat Pallas http://dizzy.library.arizona.edu/branches/ccp/copyrite/htm Y full view has format CCP_.94057038.tif 19980430 1 1998 Parsed OCT into OCS & OCE--- CMA_.1940.465.a Drawing Drawing Studies for the Sistine Ceiling: Ignudo Former Studies for the Sistine Chapel Ceiling: The Nude Figure next to the Prophet Daniel Alternate Study for the Nude Youth over the Prophet Daniel Primary Sheet: 33.5cm x 23.4cm, Secondary Support: 34.4cm x 24.4cm red chalk over black chalk lower right, in black ink: 55 [crossed out] ; SECONDARY SUPPORT, lower left, in purple crayon: [illegible] O a ; lower center, in graphite: 80 Michelangelo Michelangelo Italian 1475 - 1564 1475 1564 M artist 1510/1511 Michelangelo, who is universally recognized as one of the greatest artists, regarded himself as primarily a sculptor. The peak of his early career, however, was the vast ceiling fresco in the Sistine Chapel, in which he depicted scenes from the Old Testament.This is a preparatory drawing for the monumental nude youths who sit at the four corners of every other narrative scene in the fresco. It is one of a small group executed during the second phase of Michelangelo's work on the chapel ceiling (1511-1512), in which he used red chalk with a precision more typical of penwork. During the first phase, in 1508, Michelangelo had used traditional techniques: most often black chalk for loose figure studies and pen and brown ink for more finished drawings. In1510 Michelangelo's patron, Pope Julius II, became engaged in war, and the ceiling project was discontinued until the following year. When work resumed, Michelangelo began the unusual practice of using red chalk for finished drawings instead of fine hatching in pen and brown ink, presumably after finding a supply of red chalk hard enough for such exact work.In the Cleveland drawing Michelangelo first traced an earlier drawing to the sheet with black chalk and then drew the elaborate shading over it in red chalk, probably studying the subject from a wax or terracotta model. The precise function of the drawing was to provide a detailed image of the surface modeling to copy directly onto the wet plaster of the ceiling within the outlines that had been transferred from a full-sized cartoon. The Cleveland Museum of Art Cleveland, Ohio, USA 1940.465.a Gift in memory of Henry G. Dalton by his nephews George S. Kendrick and Harry D. Kendrick http://www.clemusart.com Y Full View HasFormat CMA_.1940.465.a.tif 19980430 1 1998 Parsed CDT into CRC, CDB & CDD--- DMCC.1957.28 PAINTING Yellow Disc 26 x 20 1/16 in. Oil on linen Laszlo Moholy-Nagy MOHOLY-NAGY, Laszlo American Bacsborsod, Hungary 1895-1947 Chicago, Illinois 1919 - 1920 1919 1920 Davis Museum and Cultural Center, Wellesley College Wellesley, Massachusetts, USA 1957.28 Gift of Mrs. Sibyl Moholy-Nagy http://www.wellesley.edu/DavisMuseum/dmccrights.html y full view HasFormat DMCC.3625.14.tif 19980430 1 1998 Parsed OCT into OCS & OCE--- GEH_.72:0249:0038 photograph Putto as Allegory of Painting 9.3 X 9.2 cm. (rounded corners) albumen print Oscar Rejlander Rejlander, Oscar Sweden England, London (?) 1886 1886 1886 George Eastman House Rochester, NY, USA 72:0249:0038 Museum Purchase: ex-collection A.E. Marshall www.geh.org/rights.html y Full View Has Format GEH_.H197202490038.tif 19980430 1 1998 Parsed OCT into OCS & OCE--- Parsed CDT into CRC, CDB & CDD--- GEH_.81:1791:0014 photograph Young girl standing by table with daguerreotype 12.0 x 12.0 cm. (circle) albumen print Oscar Rejlander Rejlander, Oscar Sweden England, London (?) ca. 1860 George Eastman House Rochester, NY, USA 81:1791:0014 Museum Purchase; ex-collection A.E. Marshall www.geh.org/rights.html y Full View Has Format GEH_.H198117910014.tif 19980430 1 1998 Parsed CDT into CRC, CDB & CDD--- JPGM.54.PA.1 Paintings Still Life with Ewer, Vessels and Pomegranate 103.5 x 81.2 cm height 103.5000 cm width 81.2000 cm Oil on canvas Willem Kalf Kalf, Willem Mid 1640s 1643 1647 Luxury objects, such as the ornate Mannerist ewer, steeple cup, and elegant glass vessels, are carefully arranged on a table in this Dutch still life. An open pomegranate and a bowl of fruit rest on white drapery. To the right, a lemon and three olives are reflected in a silver plate that rests precariously on the table's edge. Behind this, a platter holds a tankard whose elaborate polished surface reflects the adjacent wineglass. Light falls from the left, playing across these precious objects and causing them to glitter and shine.Willem Kalf delighted in the play and contrast of transparent and reflective surfaces: the finely wrought metal of the ewer, the representation of smooth glass, the weave of the linen drapery, the dry crumbly texture of the bread, and the wet, shiny insides of the open pomegranate. At first glance, this still life implies an absence of human presence. But a closer look reveals just the opposite. The torn bread, half empty glass of wine, sliced fruit, and overturned glass allude to human intervention, as if these lavish delicacies were abruptly left on the table. J. Paul Getty Museum Los Angeles, California, USA 54.PA.1 J. Paul Getty Museum http://www.getty.edu/museum/copyright.htm y full view HasFormat JPGM.00052502.TIF 19980430 1 1998 Parsed OCT into OCS & OCE--- Parsed CDT into CRC, CDB & CDD--- MACM.D9523MD3 Assemblage pictural Cadences de lumiere 274.7 x 223.8 cm hauteur 274.7 cm largeur 223.8 profondeur 8 cm huile, cire, bois, ciment, platre et jute imbibe de platre sur bois Louis Comtois Comtois, Louis Canadienne Montreal, Quebec, Canada New York, New York, Etats-Unis M 1988 1988 1988 Musee d'art contemporain de Montreal Montreal, Quebec, Canada D 95 23 MD 3 don de l'artiste et de Reiner Schurmann, grace a la collaboration de l'American Friends of Canada http://www.amico.net/rights/mcam.shtml Y full view HasFormat MACM.D9523MD3.tif 19990129 1.2 1998 PARSE: OCT: Parsed OCT into OCS & OCE NOTE: RIP: 'y' should be 'Y' - Changing it to 'Y'! MIA_.95.84 SCULPTURE Shrine Head H.12 x W.5-3/4 xD.7 in. terra-cotta head has been partially reconstructed(joints visible only from inside); overall minor surface abrasions; losses(on back of head) - 2 ridges of hair and below to approximately mid-pointof head (irregular in shape), 4 x 5 in. overall; and at neck fromapproximately mid-point of each side of neck upward approximately 2 inches(irregular); areas of fill and pigmentation - V-shaped area behind left earand at base (left side) at edge of loss and at edge of loss, right side ofhead; minor losses along ridges of hair; abrasions/surface losses alongridge of ears and nose; two gouges on right cheek; another area of fill inneck, below left ear; small ding in nose; dark area in left eye/eyebrow andeye lid; possible minor gouge across this eye; small amount of debris inpacking material, probably dirt 1995-05-30 Ife People(Yoruba) Ife People(Yoruba) 12-14thc. The Minneapolis Institute of Arts Minneapolis, MN,USA 95.84 The John R. Van Derlip Fund Permission foreducational use only granted by The Minneapolis Institute ofArts http://www.artsmia.org N Front HasFormat MIA_.1533c.tif Soth: MIA Photo/ScanningServices 2/25/98 19980430 1 1998 Parsed CDT into CRC, CDB & CDD--- MMA_.49.7.41 painting Don Manuel Osorio Manrique de Zuniga (1784-1792) 50 x 40 in. (127 x 101.6 cm) Oil on canvas oil paint canvas Francisco de Goya y Lucientes Goya y Lucientes, Francisco de Spanish Spanish, 1746-1828 1746 1828 1784-1792 1784 1792 The Metropolitan Museum of Art New York, New York, USA 49.7.41 The Jules Bache Collection, 1949 http://www.metmuseum.org Y Full View HasFormat MMA_.EP53.TIF 19990128 1.2 1998 WARNING: OPA: Contains no value - Removing! WARNING: OPD: Contains no value - Removing! NGC_.1519 Painting The Jack Pine 127.9 x 139.8 cm height 128.00 cm object width 140.00 cm oil on canvas canvas Tom Thomson Thomson, Tom Canada: Ontario, Claremont Canada: Ontario, Canoe Lake M Canadian, 1877-1917 1916-1917 1916 1917 National Gallery of Canada Ottawa, Ontario, Canada 1519 Purchased, 1918 public domain http://national.gallery.ca/english/index.html y full view HasFormat NGC_.1519.tif 19980430 1 1998 Parsed OCT into OCS & OCE--- Parsed CDT into CRC, CDB & CDD--- NMAA.1929.6.62 painting painting The South Ledges, Appledore preferred 34 1/4 x 36 1/8 in. (87.0 x 91.6 cm.) oil on canvas PAINT, OIL FABRIC, CANVAS lower right in oil: CHILDE HASSAM 1913 Childe Hassam Hassam, Childe American 1859-1935 1859 Dorchester, Massachusetts, United States 1935 East Hampton, New York, United States 1913 1913 1913 National Museum of American Art, Smithsonian Institution Washington, DC, USA 1929.6.62 Gift of John Gellatly Requests for photographic material and permission to reproduce must be submitted in writing to: Registrar's Office, MRC 210, Rights & Reproductions, National Museum of American Art, Smithsonian Institution, Washington, DC 20560 http://nmaa-ryder.si.edu/deptdir/regsub/rights.html Y Full View HasFormat NMAA.hassc02q.tif 19980430 1 1998 Parsed CDT into CRC, CDB & CDD--- SFMO.52.4695 sculpture Forever Free 36 in. x 11 1/2 in. x 9 1/2 in. wood with lacquer on cloth Sargent Johnson Johnson, Sargent 1933 1933 1933 San Francisco Museum of Modern Art San Francisco, California, USA 52.4695 Gift of Mrs. E. D. Lederman http://www.sfmoma.org/ y full view HasFormat SFMO.52.4695.tif 19980430 1 1998 Parsed OCT into OCS & OCE--- Parsed CDT into CRC, CDB & CDD--- SJMA.1997-12 Sculpture Info Glut II 50 x 50 x 18" Mixed Media: aluminum, acrylic, electronics, 3 cathode ray tubes Alan Rath Rath, Alan American Born 1959, Cincinnati, OH; lives in Oakland, CA 1997 1997 1997 San Jose Museum of Art San Jose, California, U.S.A. 1997.12 Gift in part by Katie and Drew Gibson http://www.sjmusart.org/ Y Front Angle View HasFormat SJMA.1997-12.tif 19980430 1 1998 Parsed OCT into OCS & OCE--- WAC_.88.385 sculpture Spoonbridge and Cherry 354 x 618 x 162" overall aluminum, stainless steel, paint Claes Oldenburg Oldenburg, Claes American Coosje van Bruggen Bruggen, Coosje van Dutch 1985-1988 1985 1988 Walker Art Center Minneapolis, MN, USA 88.385 Gift of Frederick R. Weisman in honor of his parents, William and Mary Weisman, 1988 http://www.walkerart.org/amico/ Y Full View HasFormat WAC_.719C.tif N Part HasFormat WAC_.177C.tif 19980430 1 1998 Parsed CDT into CRC, CDB & CDD--- WMAA.31.426 Painting Early Sunday Morning Whole - 35 3/16 x 60 1/4 in. (89.4 x 153 cm.) Frame - 43 x 68 1/2 in. (109.2 x 174 cm.) Oil on canvas Edward Hopper Hopper, Edward United States (1930) 1930 1930 Whitney Museum of American Art 945 Madison Avenue, New York, NY, 10021, USA 31.426 Purchase, with funds from Gertrude Vanderbilt Whitney http://www.whitney.org Y Full view HasVersion WMAA.31_426.tif 19990121 1.2 1998 PARSE: OCT: Parsed OCT into OCS & OCE WARNING: OPA: Contains no value - Removing! WARNING: OPD: Contains no value - Removing! WARNING: OPA: Contains no value - Removing! WARNING: OPD: Contains no value - Removing! TFC_.191126 painting Mistress and Maid 35 1/2 x 31 in. (92 x 78.7 cm.) oil on canvas (lined) Jan Vermeer van Delft Vermeer van Delft, Jan Dutch 1632-1675 probably between 1665-1670 1665 1670 probably between The subject of writing and receiving letters, which recurs frequently in Vermeer's work, is given an exceptional sense of dramatic tension in this painting of two women arrested in some moment of mysterious crisis. The lack of final modeling in the mistress head and figure and the relatively plain background indicate that this late work by Vermeer was left unfinished. Nevertheless, the artist seldom if ever surpassed the subtly varied effects of light seen here as it gleams from the pearl jewelry, sparkles from the glass and silver objects on the table, and falls softly over the figures in their shadowy setting. Bought by Mr. Frick in 1919, the year of his death, this painting was his last purchase and joined Rembrandt's Self-Portrait, Holbein's Sir Thomas More, Bellini's St. Francis, and Velazquez' King Philip IV among his favorite acquisitions. The Frick Collection New York, New York USA 19.1.126 Purchased Copyright 1998 The Frick Collection. Licensed for non-commercial, educational use. http://www.frick.org Y Full View HasFormat TFC_.19-1-126.tif New York, The Frick Collection. Art in the Frick Collection: Paintings, Sculpture, Decorative Arts [cat.]. Comp. C. Ryskamp, et al., 1996, p.72 (reproduced in color). New York, The Frick Collection. An Illustrated Catalogue. Vol.1, Paintings. [cat.]. 1968, pp.296-299, p.297 (reproduced). 1999 122 19990122 1.2 1998 WARNING: OPA: Contains no value - Removing! WARNING: OPD: Contains no value - Removing! PARSE-ERROR: OCT: Can't parse string: 'probably between 1665'! WARNING: OPA: Contains no value - Removing! WARNING: OPD: Contains no value - Removing! WARNING: OPA: Contains no value - Removing! WARNING: OPD: Contains no value - Removing! FASF.305302 Print lithograph Araignee (Spider) 277 x 217 mm lithograph Odilon Redon Redon 1840 - 1916 1840 Bordeaux 1916 Paris artist 1887 1887 France Fine Arts Museums of San Francisco Fine Arts Museums of San Francisco 1996.178 Museum purchase, Achenbach Foundation for Graphic Arts Fund and the Ian White Endowment Income Fund http://www.thinker.org/rights.html Y Full HasFormat FASF.305302.tif Fine Arts Museums of San Francisco 19990129 1.2 1998 Parsed CDT into CRC, CDB & CDD---